I don’t know how it’s possible to be disappointed and happy at the same time, but that’s how I feel about The Queen of Nothing. Perhaps it’s because even a not so great The Folk of the Air book is still a The Folk of the Air book. As I’m going to spend a lot of time ranting and whinging, I better outline some positives first. Let’s get cracking and BEWARE, SPOILERS FOLLOW.
Things I Liked
One of the things I worried about going into QoN was pacing. I was especially concerned it would spend ages stuffing around at the beginning before reaching any action. As it turned out, because the novel was so short, there wasn’t time for that. The book has a reasonable introductory section in the mortal world before quickly throwing Jude back into Faerie and lots of drama. After this the plot moves very quickly (perhaps a little too quickly in the second half), easily transitioning from each stage or ‘act’ with little downtime for the characters. Without even intending to speed through the book, by the time I checked my place I was shocked to find I was already two-thirds of the way in! In other words, it’s extremely readable and you definitely won’t be bored.
On my first read of TCP, Jude was a character I wasn’t sure I liked much but after the second read, the love affair set sail. Unlike the previous books, QoN was more of an emotional journey for Jude. She was heavily pressed to weigh her feelings and personal connections with others against the practical concerns of the kingdom and her own ambitions. Her experiences in this book also allow her to realise that even though she may have been taught to avoid weakness, it’s okay to be vulnerable sometimes. While I do miss a little bit of the bloodthirsty, plotting Jude from the other books, I appreciate the character development in comparing her decisions at the end of TCP to the climax of QoN.
A badass general who eats other faeries. Need I say more? Where have you been all my life?
Things I Didn’t Like
Where’s the Death & Stabbing?
After two books of scheming, backstabbing, alliances and political machinations, I think it’s fair to assume we were expecting this series to end with a battle. High stakes, death, and a final conflict between Jude & Madoc. It just made narrative sense. But did we get that? Not really. Madoc has consistently been built up to be a mentally and physically challenging adversary for Jude and Cardan, one who would eventually need to be permanently defeated. As it turned out, he was as much of a threat as a fluffy kitten. All we’re given is a teensy bit of background fighting and before you can blink, it’s over. No real stabby-stabby, no dramatic death scenes, nothing. Hello, disappointment.
Covering Conflicts with Band-Aids
Heading into QoN there were a lot of plot threads still in need of development and resolution. When I saw the size of this book, I wondered how Holly would be able to deal with them all, and satisfyingly at that. In the end, she didn’t. So many of the plot points from previous books were either left hanging entirely (e.g. Lady Asha, Jude’s mortality, secrets about Jude’s mother) or resolved in a quick fix, brush it off sort of way, lacking the weight and complexity they deserved. For example:
- Taryn’s betrayals – Taryn has repeatedly screwed Jude over for selfish reasons. By the end of TWK she’d basically aligned herself with Madoc and even impersonated Jude to further his ends. In QoN she turns up pregnant, apologises, asks for help, decorates a couple of rooms and suddenly all is well. I’m sorry but, what? Where’s the ambition, the intent? What a waste of a character’s potential.
- Locke – For the last two books Locke has been a low key, in the shadows sort of villain. After his attempt on Jude’s life in TWK, there was always a sense of to-be-continued with their conflict. So, the fact that he dies before this book even begins is, again, a bit of a ‘what?’ moment. Considering the additional malice added to his character in QoN, colour me very unimpressed.
- Cardan’s banishment of Jude – For me, the explanation for this was underwhelming & illogical. At the end of TWK Jude’s been through a hard period of captivity and Cardan has not only just averted a war but found out she murdered his brother. And yet, we’re supposed to believe that his first thought was, let’s play a game with Jude. Cardan can be a little immature but no. Just no.
Reported Missing: Plot Twists
There are a lot of reasons why I love this series but one of the biggest is the plot twists. In the past, Holly has not only been able to pull one over on me once, but MULTIPLE TIMES. As a reader, I live for those dramatic, ‘oh my god, what the hell just happened’ moments. Unfortunately, I didn’t really get much of that at all in QoN. Worse, the one major twist-ish moment of the book, Cardan’s transformation into a giant snake, ended up feeling not only silly but distracting from the direction of the main narrative.
I am unashamedly a Cardan & Jude shipper. Despite its toxicity, I adore their hate-love relationship with all its conflict and sexual tension, and I’ve loved seeing it slowly evolve over the series. In QoN, however, they weirdly transitioned into this overly lovey-dovey, can’t live without you couple which I find odd when I think about their interactions up to this point. I knew that they loved each other but somehow I never expected it to look like this. It’s almost like we missed a stage somewhere (including Cardan’s missing letters to Jude would have helped). Still, part of me is like *throws hands up* because I love Jurdan so damn much and get excited any time their names even show up on the same page as one another. I got a love scene, confessions of love, and endgame. What else could I ask for? Okay, maybe a little more page time for Cardan – the boy got shafted here.
Despite having a lot of problems with this book and it being my least favourite of the series, The Queen of Nothing is far from a bad novel and I can still say I enjoyed myself. I’ll continue to love this series and the characters, and I’m sure I’ll return to them at some point in the future.